In Random 25 (1999) for string quartet, constantly shifting timbres and microtonal colors evolve as the consensual timein the beginning of the piece, gives way to an independent or individual notion of temporal space.
In Random 25 (1999) for string quartet, constantly shifting timbres and microtonal colors evolve as the consensual timein the beginning of the piece, gives way to an independent or individual notion of temporal space.