Soft Sound Loud Loud Sound Soft


A site specific performance by sound artists Philip Mantione and Glenn Bach featuring live computer music and custom-built instruments to take place in the Atrium of the Riverside Art Museum.

Bach’s music features typically loud sounds (ie. distorted guitar) that have been manipulated and drastically reduced in volume to contemplative levels, encouraging the listener to experience the subtleties and delicacies in timbre and texture which he creates.  In response, Mantione will use manipulated samples of typically soft sounds (ie. pins dropping) and raise their levels to expose the sonic detail normally beyond the scope of human hearing. He will also perform on a custom-built electronic Aeolian harp, an instrument traditionally designed to be activated by the wind.

Listeners/viewers will be able to freely enter and exit the space and get up close and personal with the performers. The artists have agreed to collaborate as part of the Atlas Sets. Conceived by Bach, the Atlas Sets are “a collaborative conversation about musical map-making, contemplative practice, creative community, and artistic intention.”

Riverside Art Museum

January 2, 2014
7:00 - 8:30pm

Special Thanks to:
Riverside Art Museum
Drew Oberjuerge - Museum Director
Kathryn Poindexter - Curator
Ai Kelley - Public Rrelations
June Romero - Live Sound Engineer
Alysse Stepanian - Photo and Video documentation


As an artist who works with sound and music, Glenn Bach weaves field recordings, digital audio, and analog electronics into quiet, meditative soundscapes, with additional interests in improvised sound design for dance and silent film. His published music includes a duo project with John Kannenberg on the UK label Entr'acte, and a solo record on the Scottish label Dust, Unsettled.  He has performed or collaborated with such musicians as Steve Roden, Jeffrey Roden, Aaron Ximm, Chris Schlarb, smgsap, Marcos Fernandes, and many others. Bach leads the improvising ensembles Southern California Soundscape Ensemble, Double Blind, and Intense Situations of Peril, and oversees the MPRNTBL netlabel. His long-term project, Atlas Sets, is a collaborative conversation about musical map-making, contemplative practice, creative community, and artistic intention. Bach grew up in Southern California, and received his MFA in Drawing and Painting from California State University, Long Beach.


Website:
www.glennbach.com
Music Links:
http://dust-unsettled.com/album/radia
http://www.stasisfield.com/releases/year06/sf-6008.html
http://www.mprntbl.com/mprn-009.html

Philip Mantione has composed music for orchestra, chamber ensembles, computer, fixed media, interactive performance, multimedia installations and experimental video. He writes custom software in Max/MSP to create music that melds field recordings, sampling and computer generated sound into unique sonic textures. His Sinusoidal Tendencies, released on Innova, has been described as "austerely impressive" (Paris Transatlantic Monthly) and "a searing study in form and color." Zane Fischer, of the Santa Fe Reporter, called his interactive sound sculpture, The Human Resistor, "...a satisfying, interactive rabbit hole, in which tactility becomes sound." Mantione’s work has been presented at notable venues such as the Bing Theater at LACMA, Merkin Concert Hall (NYC), Baltimore Contemporary Art Museum, Islip Art Museum, CCA (Santa Fe,NM), SESI' Cultural Centre (Brazil), CCCB (Barcelona, Spain), National Museum of Fine Arts (Cuba), and the European Media Arts Festival (Germany). Recent concerts include: John Donald Robb Composers' Symposium at UNM and the Southwest Festival of New Music (New Mexico).

Website:
www.philipmantione.com

Music Links:
http://philipmantione.bandcamp.com/track/hfone
http://philipmantione.bandcamp.com/track/fabrics
http://philipmantione.bandcamp.com/track/dialtone-and-strings