2020

• XIVth International Festival of Electroacoustic and Electronic Music – SPRING IN HABANA – World premiere of Disputed Artifacts, an acousmatic piece for multichannel diffusion – Havana, Cuba (March, 2020)

2019

• Modular Manifestation – Live performance with modular synthesizer, computer and iPad – SupplyFrame Design LAB  – Pasadena, CA (July 24, 2019)

2018

• Friche La Belle de Mai – Live performance with text and 3D animations by Alysse Stepanian and vocals by Jan Opalach – #MemoryoftheUniverse | Bayesian Poisoning – Marseille, France (Nov. 9, 2018)
• Coaxial Arts Foundation – Live performance with text and 3D animations by Alysse Stepanian – #MemoryoftheUniverse | Bayesian Poisoning – Downtown LA, CA (Sept. 15, 2018)
• Fragileexhibition (invitational – sound for video installation by Alysse Stepanian); curated by Tereza Davtyan & Ella Kanegarian; Union of Cinematographers of Armenia; Yerevan, Armenia (July 2018)
• FILE 2018 | FILE HYPERSONICA – Memory Hole included in this festival in Sau Paulo, Brazil (July 2018)

2017

• TriAngular Bent – concert at Art Share LA – premiered a new structured improvisation piece by Lukas Ligeti who also performed with the group – Downtown LA, CA – (Sept. 2017)
• New York City Electroacoustic Music Festival (NYCEMF) – 16 channel diffusion of Memory Hole in this international festival of music – NYC (June 2017)
• MAKE8ELIEVE (Vol. #11) – Memory Hole included included on this online Magazine (June 2017 )
• Klingt Kut! – Memory Hole – official selection for this Symposium on Sound – Hamburg, Germany (June 2017)
• Coaxial Arts Foundation – Live solo set on analog modular electronics in a show curated by Adrian Diemond (aka Pulsating Cyst) – Downtown LA, CA (May 2017)
• Orange County Museum of Art – Performed the site specific work, Fields, Flags, and Forms by Lukas Ligeti along with the composer, Don Preston, seven other musicians from UCI’s Integrated Composition Improvisation and Technology program – Newport, CA (March 2017)
• Make America Create Again – sound design for Alysse Stepanian’s animation, #MemoryoftheUniverse Syria Planum: For Water for Oil – included in this show at the Center on Contemporary Art – Seattle, WA (March 2017)
• Differences – visions of contemporary composition – Dialtone and Strings included in this compilation published on-line by the Unexplained Sounds Group (January 2017)
• MADATAC 08 – sound design for Alysse Stepanian’s animation, #MemoryoftheUniverse Syria Planum: For Water for Oil at the Centro Conde Duque, Madrid, Spain (Jan – Feb 2017)

2016

• 29^th Festival Les Instants – #MemoryoftheUniverse – sound design for this 3D Animation and installation by Alysse Stepanian presented at VideoGalerie DEUX [dø] (Marseille, FR)
• Now&After’16 – #MemoryoftheUniverse – sound design for this 3D Animation by Alysse Stepanian, curated by Marina Fomenko and presented at The State Darwin Museum (Moscow, Russia)
• Water: Our World – Valuri included in this collaborative music/visual art event at the Pearson Lake Arts Center (Okoboji, IA) presented by GRIT Collaborative
• Miami New Media Festival – #MemoryoftheUniverse – sound design for this 3D Animation by Alysse Stepanian (Miami, FL)
• What’s the Big Deal? – performance with the SCSE (Southern California Soundscape Ensemble) to announce the new program called P.U.M.P., sponsored by FLOOD at WE Labs (Long Beach, CA)
• Art Share LA – TriAngular Bent new release event and concert with special guest Greg Lenczycki
• TriAngular Bent – new release of the eponymous recording by TriAngular Bent (July 2016)
• Tomorrow, Today Will Be Yesterday – Valuri (music) and Blur (video) included in this collaborative installation at the Light Moves Festival of Screendance, curated by Rui Almeida (Limerick, Ireland)
• Fascism – #MemoryoftheUniverse – sound design for this 3D Animation by Alysse Stepanian and presented at the Whitney Center for the Arts (Pittsfield, MA)
• Exquisite Corpse Video Project (vol. 5) – Friend Hullabuloo – sound design for this 3D Animation by Alysse Stepanian and presented at the Top Schillerpalais (Berlin, GE)
• Exquisite Corpse Video Project (vol. 5) – Friend Hullabuloo – sound design for this 3D Animation by Alysse Stepanian and presented at CONVERsalon V.14 @Arcadia Coop (Toronto, CA)
• 17 Days Video Series (vol. 9) – #MemoryoftheUniverse – sound design for this 3D Animation by Alysse Stepanian presented at The Bret Llewellyn Art Gallery – Alfred State University (Alfred, NY) and Western Michigan University (MI) – curated by Adriane Little.
• OFF the WALL | video art screening series – #MemoryoftheUniverse – sound design for this 3D Animation by Alysse Stepanian (Madison, WI)
• Exquisite Corpse Video Project (vol. 5) – Friend Hullabuloo – sound design for this 3D Animation by Alysse Stepanian, curated by Kika Nicolela and presented at Central Galeria (Sau Paulo, Brazil)

2015

• TriAngular Bent – a new electroacoustic project featuring Don Preston (piano and electronics), Jeff Boynton (cello and bent circuits) and myself (guitar, custom software and analog synthesis). Performances at the South Pasadena Music Center and Conservatory and Art Share LA.
• Tomorrow, Today Will Be Yesterday – Valuri (music) and Blur (video) included in this collaborative installation at the Centro para is Assuntos da Arte e Arquitectura – curated by Rui Almeida (Portugal)
• Love Textures 12 – a new multichannel work for the Orbanism Festival (Berlin, Germany)
• Love Textures 24 – a new multichannel work for Centre de Cultura Contemporània in Barcelona (CCCB)(Barcelona, Spain)
• Canyon Cinemazine – Published my piece Earthquake V1 on their online magazine and on a flexidisk in the print version in a recent issue dedicated to sound.
• Nyack Film Festival – The Reunion directed by James Marentic – contributed to the film score – Winner Best Score (Nyack, New York)
• Errant Bodies – “The stranger that is next to me,” curated by Brandon LaBelle

2014

• FILE 2014 – Electronic Language International Festival – Hypersonica; Three works from the Salvatore CD included in this international festival at the FIESP Cultural Center in San Paulo, Brazil (August – October 2014).
• USAP (Urban Solar Audio Plant); a new 12-channel piece for the solar powered, WI-FI controlled, multichannel sound system for public spaces designed by Peter Eisold, Micha Dawid and Sven Sappelt. Premiere performance/installation in June 2014 (Berlin).
• Interview and online presentation of Social Immune System and Radiator as part of NOISES, a project of L’Autre Musique Laboratoire(France)(2014).
• Estman Radio Podcast of Social Immune System as part of Marinella Senatore’s exhibition, Public Secrets, Kunst Halle Sankt Gallen (Switzerland) (February – April 2014)
• HFTwo Included in iFar Noise Compilation #3 (released February 2014).
• “Exuberant Politics” – Chant and Social Immune System to be included in this exhbition at Public Space One Gallery in Iowa City, Iowa (March 2014).
• “Soft Sound Loud Loud Sound Soft” – live performance at the Riverside Art Museum with Glenn Bach as part of the Atlas Sets (January 2014).
• Southern California Soundscape Ensemble – performance with the SCSE founded by Glenn Bach at the Baldwin Hills Scenic Overlook in Los Angeles. Sponsored by SASSAS (October 2014).
• Included in the radio show Echoes: “The stranger that is next to me,” curated by Brandon LaBelle (stress.fm)(Portugal)(Feb. 2014).
• Riverside Whistles and Bells; composed, conducted and performed in this concert for Carillon, Hand Bell Choir, computer and electronics at the Riverside Art Museum. Made possible in part by a grant from New Music USA (Riverside, CA).

2013

• “Long Beach Sound Walk 2013”– Premiere performance/installation by a group of eight sound artists I formed called The Autotelics (October 2013).
• “Homeostasis Lab” – included in this digital collection of work curated by Julia Borges Araña and Guilherme Brandão as part of The Wrong Digital Art Biennale instigated in Sau Paulo, Brazil (October 2013).
• “Imaginary App Exhibition”– featuring Be Happy NOW!– created in collaboration with Alysse Stepanian; Museum | London; Ontario, Canada; The Imaginary App book co-edited by Paul D. Miller AKA DJ Spooky and Svitlana Matviyenko (Sept.-Oct. 2013).
• “Beyond the Sound” – Curated this show of sound art on the FB virtual gallery space, Urban Ranch Projects (July 2013).
• “Festival Futura 2013” – France – “Social Immune System” presented in this acousmatic sound festival (August 2013).
• “Experimental Sound for Visual Artists and Filmmakers” – Riverside Art Museum, Riverside CA; Organized this two day event featuring a series of workshops and performances supported by a grant from Metlife Creative Connections and Meet The Composer (February 16-17, 2013).

2012

• ICMC – International Computer Music Conference; Official selection; Social Immune System

• Music for Two Cars @ Autry Overlook – 8601 Mulholland Drive, Los Angeles, CA; A collaborative sound installation created with Daniel Eaton. Included in the Mulholland Dérive event(December 9, 2012).
• Manipulated Image: “memory and identity” – Arena 1 Gallery, Santa Monica, CA; A sound installation included in this event also featuring performances and experimental video screenings (April 29, 2012).
• AvantKino – Seeing Eye to Eye – Freies Museum Berlin – Germany;ImXCocteau, video screening. Music for the video by Alysse Stepanian. (February 25, 2012).
• Gwen Frostic School of Art – Atrium Gallery – Western Michigan University; ImXCocteau, Video installation. Music for the video by Alysse Stepanian. Curated by Adriane Little. (January – February 2012).
• SFNM – Southwest Festival of New Music; Depth of Field and Social Immune System to be included in this festival honoring the centennial of the birth of John Cage. The event will feature the premiere of a new piece by Christian Wolff. (June 2012).
• Ear to the Earth:100xJohn – Participating composer in this project honoring the centennial of the birth of John Cage. Sponsored by the Electronic Music Foundation(2012).
• John Donald Robb Composers’ Symposium 2012; Traffic, World Premiere performance of a new brass quintet, UNM, Albuquerque, NM (March 2012).

2011

• “Zeppelin 2011 – Sounds In Cause/Soundscape and Economic Change”; Social Immune System, 16 Channel sound piece at the Centre de Cultura Contemporània in Barcelona(CCCB)(December 2011).
• “LOL: A Decade of Antic Art” ; auditionherefreebeer, included in this exhibition at the Baltimore Contemporary Museum (June 2011).
• “Chopped and Stretched”; Sonata for Teeth, sound piece at this exhibition at Drift Station, Lincoln, Nebraska(September/October 2011).
• FILE 2011 – Electronic Language International Festival – Hypersonica; Fabrics, included in this international festival (for the second straight year) at the SESI’ Cultural Centre in San Paulo, Brazil (July 2011).
• Lightworks 2011; Fabrics, included in this festival of film, sound and new media that takes place in Grimsby Minster, Grimsby (UK).
• Wet Sounds; Valuri, included this traveling installation in Europe. In Wet Sounds, “the listening space is split into two distinct spaces. Underwater, sound fills perception but despite it being absorbed by the ears and body, listening is a silent and detached yet intimate experience. Overwater, sound interacts with the resonant swimming pool space. Other people’s actions such as moving in the water or talking become part of the listening experience. Listening shifts from an internal experience underwater, to an external one outside, uniting in the mid point in a floating position on the water surface.”

2010

• FILE 2010 – Electronic Language International Festival – Hypersonica; Dialtone and Strings, included in this international festival at the SESI’ Cultural Centre in San Paulo, Brazil (July 2010).
• International Computer Music Conference; Teethtones, included in the 60×60 program of the ICMC in New York City (June 2010).
• Fonlad 2010 Festival; FREY, music for the video by Alysse Stepanian included in this digital art festival in Portugal, curated by Jose Vieira.
• XIII INTERNATIONAL FESTIVAL OF MUSICA ELECTROACUSTICA “SPRING IN HAVANA” 2010; music for FREY, a video by Alysse Stepanian screened at the National Museum of Fine Arts in Havana, Cuba.
• SoundLab Cologne; Dialtone and Strings, included in this on-line festival that travels to other electroacoustic festivals world-wide.
• The Reunion; Incidental music for this play written by James Marentic and directed by Chuck Patterson. Performed at The Tank in New York City.

2009

• YOVEO International Video Festival; music for ImXCocteau, a video by Alysse Stepanian screened the Suffolk Space in NYC.
• CologneOFF V Video Festival; music for Roghieh, a video by Alysse Stepanian screened on-line and off -line for this festival based in Cologne, Germany.
• 12-Nights; Festival of electronic music and art at the Harold Golen Gallery during Art Basel Miami 2009.
• Endurance: Daring Feats of Survival, Risk and Perseverance; Video exhibition at the Abington Arts Center in Jenkintown, Pennsylvania, curated by Sue Spaid.
• Kunstfilmtag 09; music for FREY, a video by Alysse Stepanian screened at Kunstfilmtag in Düsseldorf, Germany in a show called, With a View to a Sound.
• re:MAKE IT!; Performed with the Transducers at the opening of this multimedia exhibit at the Santa Fe Complex.

2008

• The Human Resistor; Occam’s Razor exhibition at the Santa Fe Complex, Santa Fe, New Mexico; Performance instrument and interactive sculpture created from hacked consumer electronics. Also performed live with Martin Back at the opening.
• Santa Fe International Festival of Electroacoustic Music;
  College of Santa Fe, Santa Fe, NM.

2005

• Spark Festival of Electronic Music and Art; University of Minnesota, Minneapolis, MN
• Interpretations 2004/05; Merkin Hall, NYC

2004

• Symposium on the Future (NYC); Chelsea Art Museum
• Zèppelin 2004 (Centre de Cultura Contemporània de Barcelona – Spain)
• Thailand New Media Art Festival (Thailand)
• DIGIT Festival (Narrowsburg, NY)

2003

• Paris-Berlin International Meetings (FR/GE)
• Foro Artistico CD-ROM Salon (Hannover, GE)

2001

• Medi@terra Festival 2001 (microMuseum) traveling exhibition – Greece, Balkans, Germany
• Seamus Festival 2001 (Society of Electro-Acoustic Music in the US)
• The Parking Lot (art event in Los Angeles, CA)
• European Media Arts Festival (Germany)
• Immedia1901 (University of Michigan)
• Contemporary Music IV (Northwestern University)
• Sonic Circuits (Los Angeles Harbor College)

2000

• Most Significant Bytes 2000 (OH)
• Shy Anne Sound and Video Festival (WA)
• Sonic Circuits VIII (MN)
• The Leeds International Film Festival (UK)
• Paris/Berlin International Meetings (FR/GE)

1999

• Sonic Circuits Circus International Festival of Electronic Music and Art (MN)
• OnetoMANYthree; multimedia event at Dixon Place (NYC)

1998

• TwoMANYtwo; multimedia event at DCTV (NYC)
• OneMANY; multimedia event at Greenwich House, Hayden Auditorium (NYC)
• Swiss Institute (NYC)